S.01 — THE LAB
Twenty-three pieces, cut in the order they hit hardest. Sound off by design — none of this needs it.
S.02 — FIRST CONTACT · CONCEPT FILM · 2026 · 0:25
Signal in the Wild
A mechanical spider weaves a glowing signal-web over a jungle-claimed Porsche GT3 — until the machine wakes up. The studio thesis in twenty-five seconds.
The studio thesis, in twenty-five seconds and no dialogue.
S.03 — THE WHITE ROOM · CONCEPT FILM · 2026 · 0:12
Bleed White
A fighter and an ink-born adversary take each other apart on a bare white soundstage — the lighting rigs left standing in frame. Sumi-e brushwork at twenty-four frames a second.
Same studio. Opposite end of the spectrum.
S.04 — STILL LIFE
No motion, no edit, nowhere to hide. Art direction on the left, product on the right.
MENTAL VISION ORIGINAL · 2026
Checkmate
A face painted into the same checkerboard as the tunnel behind it, until you stop being able to tell which one is the pattern. Op-art discipline, held for a single frame.
CONCEPT FILM · 2026
Air Optics
A speculative silhouette lit on a wet street, fibre-optic filament running through the upper. A self-directed exercise in launch photography, commissioned by nobody.
S.05 — PRESSURE · CONCEPT FILM · 2026 · 0:12
Redline Therapy
An original motorsport universe in development — riders, waiting rooms, a clinic where the diagnosis is speed, and Selene's rain-dark bar where the truth clocks in at closing time.
A series, not a one-off — the same world held across three cuts.
S.06 — CASTING CALL · PROCESS STUDY · 2026
Casting Call
Three characters, three visual languages, one house. Turnarounds, expressions, wardrobe flats and gear plates — the unglamorous paperwork that makes a character survive contact with a camera.
The unglamorous half of the job, and the half that survives a second shot.
S.07 — HARD SCIENCE
Scale on the left. Pure material study on the right.
CAMPAIGN SYSTEM · 2026 · 0:15
AFGM — Pressure Applied
From the A Few Good Men campaign: a crane operator, a red button labeled PRESSURE APPLIED, and a wrecking ball with an opinion. One scene from a full teal-orange campaign world.
MENTAL VISION ORIGINAL · 2026 · 0:12
SKEIN
Textured blocks strung on burning threads in a white room — find the thread, transform everything. Pure texture, physics, and type.
Everything here was directed. None of it was filmed.
S.08 — THE SELL
Shot for the only screen that matters to a media buyer.
CONCEPT FILM · 2026 · 0:14
Aisle Be Damned
A shopper hijacks her own grocery run to sell you something, shot on an arm's length of nothing. Nobody in this aisle exists.
CAMPAIGN SYSTEM · 2026 · 0:53
Love Bites
Fifty seconds of warm bedroom testimonial, then a hard cut to a small red devil holding the product card. The soft sell and the brand beat living in the same file.
S.09 — FORMATS
Square, tall, luxury, local. One pipeline.
CONCEPT FILM · 2026 · 0:15
KEEP MOVING
A luxury spec commercial cut across worlds — diamond monogram shades, a lightning-wrapped concept car, a neon Times Square walk, and a burning emblem reveal. One monogram, kept moving.
CAMPAIGN SYSTEM · 2026 · 0:05
Masters Heating & Cooling — Clay
A claymation campaign for an HVAC brand: a toy van plowing through a snowy miniature town, logo readable in nearly every frame. Warmth, literally.
Breathe.
S.10 — TERMINAL · CONCEPT FILM · 2026 · 0:13
Terminal Velocity
A crimson-plated ronin trades a holographic floor for open air and falls through a burning skyline. Thirteen seconds, no brakes.
Thirteen seconds, one character, no brakes.
S.11 — AND NOW, LEAVES · CONCEPT FILM · 2026 · 0:36
The Fall Guy
The Gutter Cleaning Olympics has exactly one event, and everybody loses it. Thirty-six seconds of autumn slapstick that ends on the product quietly doing the job.
Yes, the same studio made both of these. That is the point.
S.12 — SIDESHOW
One frame, no motion, and it still implies the whole film.
CONCEPT FILM · 2026
Send in the Machines
A rusted mechanical clown holds the chain of a rainbow airship over a candy-coloured fairground. Finished to the edge of the film stock, sprocket holes and all.
S.13 — EDITORIAL
Fashion pacing. Brand-film patience.
CONCEPT FILM · 2026 · 0:36
HORNE' — The Bull
A luxury fragrance spec built on one motif: the bull. Desert tableaux, charging silhouettes, a gold pendant, and a product end card — high-fashion polish, vertical-first.
CONCEPT FILM · 2026 · 0:33
BLOOMEN
A florist brand film with spec-commercial polish: storefront, macro dew on petals, golden-hour craft, and a hospital gifting beat that earns the feeling.
S.14 — HOUSE STYLE
What the studio makes when the brief is its own.
MENTAL VISION ORIGINAL · 2026 · 0:15
CORELYN
The studio's own hero: a woman in a Mental Vision sweatshirt suits up with robotic gauntlets and meets a wall-smashing monster head-on — dodge, counter, blast.
CONCEPT FILM · 2026 · 0:18
VETTE: Launch / Transform
A hoverbike product film that refuses to sit still: exploded-view engineering pass, then the VETTE folds itself into the bipedal REY. Product visualization with a payoff.
S.15 — FIELD NOTES
Tests, sessions and working theory. Honest work, honestly labelled.
